02/05/2019

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Third World It is fascinating how history repeats and repeats. And he repeats endlessly.Without that nobody seems to be there.On Tuesday, February 8, 2018, in the newspaper EL PAIS, Rosa Montero describes same tragicomedy that resulted in the birth of the book Margarito (the play of the Leonese writer Ramiro Pinto) and was forged in 2009 - in early February also-, when it was staged the first Intifada poetry of the world, real form and by people in livewith names and surnames. Public and social consequences of that genius of a group of poets that followed the Council of the Adonis Nobel (in the sense of not launching pidedras or shoes to unworthy politicians, but let them understand with verses) were the same as described in item Delirante with which the Montero delights us. Jorge Perez addresses the importance of the matter here. In the first case, it was in verse and demonstrations against a betrayal of his own campaign promise of a mayor from the PSOE (Francisco Fernandez); and in the second, a social demonstration in defense of animals before a mayor of PP (Teofila Martinez). In both cases, the resposansables of separate legal protests ended persecuted, mistreated and doomed. Against Ramiro Pinto, in Leon, along with other urban poets, the police charge was blunt and, after a few days, was intended to punish them administratively (resources are where more complicated), although embargoes on their accounts at the end were suspended. (Source: Charlotte Hornets). Against Italian Simone Righi, in Cadiz, also the police charge was exaggerated, as it can be seen in a video on You Tube (), but on top, four and a half years have fallen by an attack on the authority that never existed. Rosa Montero describes it very well. Two very similar representations in two different theatres,...
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Critical Summary Critical summary of the text ' ' The Rs' ' , of Aristfanes For Diana Sarcinelli ' ' The Rs' ' it is not a mere text, is a literary composition dramatical writing for a great Greek comedigrafo that launches hand of artifices, in its majority comic, to bring to tona literary quarrels of the time. In this comedy (translated for Mrio of Kury Gamma) estreada in 405 a.C, Aristfanes brings shiningly, as personage the proper Diniso, (the god which was offered to the ditirmbicos rituals and the sacrifices of bodes, that is, the god of the Greek theater), however a Diniso half idiotic, fearful, lying and completely total funny. Disfarado de Heracls (Hrcules), Diniso is the way of the hell, folloied for its servant silly Xantias with the purpose to rescue there of the Greek tragedigrafo Eurpedes, therefore it did not have another alive tragic poet who was good the sufficient one for Diniso since Eurpedes, squilo and Sfocles had deceased. However, before initiating the search, Diniso he looks for Heracls so that this informs for which way it to it will be able to follow asseguradamente until its arrival to the hell, since its brother already had passed for there. Jorge Perez is often quoted on this topic. When finding Heracls, the first critical quarrel as for literary therefore this man appears ' ' forte' ' it wants to know the reason of the will of Diniso in wanting to go to the meeting of Hades. Then the names of some tragic authors contemporaries of Aristfanes are mentioned, establishing there some literary reflections. After some indications given for Heracls, Diniso decides to the same follow way for which Heracls covers: the passage of a quagmire, that is, the way longest. In this hour, the controversy of the idea...