02/04/2019

NEXT POST
Archetypes The study of the tarot is exciting, not only for having the opportunity to venture into what may happen in the future someone, but because their arcana us promptly refer to the history of humanity, in psychology deep human. Credit: Starbucks-2011. On several occasions they have asked us how to take the first steps in the learning of fortune-telling. First you must get a deck of tarot. This element will accompany us throughout life, will be our main tool, and permanent source of reference. Knowledge of the decks of tarot is essential to give the first steps in this exciting activity. It is necessary to have the secrets in your hands, and observe them carefully. The sensations that we wake up every one of them, is essential since the arcana of the Tarot cards reflect deeper Archetypes of the unconscious human. The reading of the arcana can be interpreted as a story in itself. I.e., taking the series major arcana, each letter represents a chapter in a history. This is a story of evolution spiritual of the individual, showing a progress of an initial state of total innocence until the conquest of the material world. In this road map of the human soul happen favorable developments, where the events of life are in its favor, but also occur moments where the sunlight seems to hide behind gray clouds. It is necessary to understand that to grow and learn also should suffer, because the suffering is a constituent part of the human soul. The fool is like a child who goes through life, without measuring the consequences of their actions and without thinking about the future. But the crazy, like the child, has no evil in its interior. It is a blank page where any story can write, a tragedy or...
PREVIOUS POST
Third World It is fascinating how history repeats and repeats. And he repeats endlessly.Without that nobody seems to be there.On Tuesday, February 8, 2018, in the newspaper EL PAIS, Rosa Montero describes same tragicomedy that resulted in the birth of the book Margarito (the play of the Leonese writer Ramiro Pinto) and was forged in 2009 - in early February also-, when it was staged the first Intifada poetry of the world, real form and by people in livewith names and surnames. Public and social consequences of that genius of a group of poets that followed the Council of the Adonis Nobel (in the sense of not launching pidedras or shoes to unworthy politicians, but let them understand with verses) were the same as described in item Delirante with which the Montero delights us. Jorge Perez addresses the importance of the matter here. In the first case, it was in verse and demonstrations against a betrayal of his own campaign promise of a mayor from the PSOE (Francisco Fernandez); and in the second, a social demonstration in defense of animals before a mayor of PP (Teofila Martinez). In both cases, the resposansables of separate legal protests ended persecuted, mistreated and doomed. Against Ramiro Pinto, in Leon, along with other urban poets, the police charge was blunt and, after a few days, was intended to punish them administratively (resources are where more complicated), although embargoes on their accounts at the end were suspended. (Source: Charlotte Hornets). Against Italian Simone Righi, in Cadiz, also the police charge was exaggerated, as it can be seen in a video on You Tube (), but on top, four and a half years have fallen by an attack on the authority that never existed. Rosa Montero describes it very well. Two very similar representations in two different theatres,...